Knute Heldner (Swedish/Minnesota & New Orleans, 1877-1952), "Two Horses at Play, an Early Study,"

Knute Heldner (Swedish/Minnesota & New Orleans, 1877-1952), "Two Horses at Play, an Early Study," oil on millboard, signed lower left, unframed, H.- 11 1/4 in., W.- 14 1/4 in.

Knute Heldner (1875-1952, Swedish/New Orleans), "Singing by the Mississippi River," oil on canvas, signed lower right, presented in a wood frame, H.- 39 3/4 in., W.- 31 1/2 in., Framed H.- 43 1/2 in.,

Georges Malissard (1877-1942) Bronze sculpture with two bridled horses. Signed 'Geo Malissard' 1910 near front horse. H 16-3/8" W 36-1/8" D 9-1/4". Condition: Excellent condition. Copy and paste link

Maison Jansen Ebonized, Parcel-Gilt and Marble-Top Cabinet early 20th century, the rounded rectangular marble top above a conforming case fitted with two cupboard doors, faced as four long tri-paneled

Louis XIV-Style Kingwood and Marble-Top Cabinet early 20th century, the marble top with turreted corners, above a conforming case fitted with three drawers over two cupboard doors centered by a classi

ANDREW LAMAR HOPKINS (1977 - ) The New Orleans Home of two Confirmed Bachelors #2. Acrylic on canvas board, 2014. 347x457 mm; 13x18 inches. Signed and dated in ink, lower left. Signed, titled and date

Enrique Alferez (Mexican/New Orleans, 1901-1999) , "Study for Miami Indian", c. 1950, cast concrete, unsigned, h. 19 1/2 in., original wood base, overall h. 31 1/2 in Exh.: The Helis Foundation Enriqu

Arthur Kern (American/New Orleans, b. 1931), "Study for Silent Myth", 1981, fiberglass resin, signed on underside, exhibition label with artist, title and date on base, h. 10 1/2 in., w. 13 1/2 in., d

American Gothic Carved Oak Hall Suite , mid-19th c., by the "Stanton Hall Maker", possibly New Orleans, incl. settee and two armchairs, the triple back sette with crocketed spires, pierce carved crest

Colette Pope Heldner (American/Louisiana, 1902-1990), "New Orleans", 1932, oil on board, signed, dated and titled lower left, partial sketch en verso, 20 in. x 16 in., framed, overall 22 7/8 in. x 18

Tang dynasty or Tang style, comprising: horse painted in red, white, and black pigment, with removable saddle painted in red, white, and black, feet with felt pads, 14-1/4 x 15-1/2 in.; horse painted

Adolph Rinck (French/New Orleans, 1802-1895), "Bayou Scene with Deer", 1877, oil on canvas, signed and dated lower right, "P.J. Ulrich, Manufacturer and Importer, New York" label on stretcher, 35 3/8

Gustav Stickley (1858-1942) early two-door bookcase, #544 Eastwood, New York, circa 1902 oak, copper, glass marked with early red decal (Stickley in box) 61 1/2"w x 12 1/2"d x 56 1/2"h

Frederic Bridgman (New York, France,1847 - 1928) Painting of two horses and a woman, "The meeting Place". With sailboats in the distance. Oil on canvas. Sight size: 14 x 18 inches. Signed lower left.

Monumental Patinated Bronze Garden Fountain in the Beaux-Arts neoclassical taste, signed "S. Keliam", of two-tier form, the upper bowl on a lion-masque pedestal over a tazza-form bowl, the sides adorn

Dale Chihuly (American, b. 1941), early blown glass "Navajo Blanket" cylinder, ca. 1975, signed at the base edge within the glass, h. 11", dia. 4-3/8". Provenance: Estate of Dr. William N. Coughlin,

Raoul Dufy (French, 1877-1953) "Barriere Champetre" oil on canvas signed lower right, an "Ansley Graham, Los Angeles" label en verso, French customs label on stretcher. Framed. 18-3/4" x 21-3/4", fram

Dutch School (First Quarter 20th Century) "Two Street Scenes" pair of oils on canvas each illegibly signed. Framed alike. each 17-1/2" x 14", framed 21" x 17-1/2"

Tiffany Studios, New York, Leaded Glass Table Lamp early 20th century, in the "Pansy" pattern, the shade bearing a metal tag reading "Tiffany Studios New York", with the model number "1448", the base

Pair of Empire-Style Mahogany Throne Chairs, early 20th century, each with a padded rounded crest joined to the padded seat by carved winged lion sides, above a paneled ormolu applied apron, raised on

Pair of Imposing Empire-Style Gilt-Bronze and Malachite Twenty-One-Light Torcheres, each standard surmounted with two tiers of ten arms, and a single central nozzle, each raised on a triangular concav

William Curtis (1746-1799) and John Sims (1749-1831) The Botanical Magazine, or Flower-Garden Displayed London: W. Curtis et al., 1787-1815, demy quarto, forty-two volumes (in 34) plus index, containi

Impressive Russian Brass-Mounted Mahogany Breakfront Bookcase late 19th/early 20th century, the projecting center with an arched pediment, over a pair of glazed doors with brass mullions and flanked b

Leo Kenny (American, 1925-2001) "Study for Vertical Transformation", 1967 gouache on paper signed and dated lower right, verso with "Willard Gallery, New York, N.Y." label. sight 34-1/2" x 11-1/2" Pro